In 2083, seventeen-year-old Anya Balanchine seeks a way to make Balanchine Chocolate legitimate, and although a trip to Mexico gives her new insights and ideas, escaping her mobster family's legacy of violence may prove impossible.

After the death of his father, Elijah Breeze, a ten-year-old African American boy, moves back to New York City with his mother and attends a summer baseball camp as he tries to make new friends and adapt to urban ways.

Giovanna Costa, reeling from personal tragedies, tries to make a new life for herself at the turn of the twentieth century in New York City's Little Italy.

You'd be angry, too . . . if you grew up poorer than poor in Harlem in the 1960s and '70s, a place of unrelenting violence, racism, crime, rape, scamming, drinking, and drugging . . . with a dad permanently checked out in Bellevue and a mom at the end of her rope raising you, your twin sister, and your two brothers, moving every time the money runs out-- and doing what it takes to survive.

When her fiancé breaks his back in a swimming accident, Josie Davidovich is advised by her father, a doctor, to end the engagement because there is no point in becoming tied to a cripple. But Josie goes through with the wedding, they write a book on the tragedy, which becomes the basis of a movie, and they end up rich and famous.

Raised in Brooklyn, the son of Jewish immigrants, and coming of age in Depression-era New York, Bernard Malamud (1914-1986) began his career writing stories of unsparing precision and power, plumbing the depths of an impoverished urban world. His early, naturalistic style evolved into an inventive, often surreal idiom that blurs reality and fantasy. His first novel, The Natural (1952), is a dazzling reimagining of the possibilities of sports fiction,...