Mardi Gras Indians
(eBook)

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Published
Arcadia Publishing, 1905.
Format
eBook
ISBN
9781455608386
Status
Available Online

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Language
English

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Citations

APA Citation, 7th Edition (style guide)

Michael Smith., & Michael Smith|AUTHOR. (1905). Mardi Gras Indians . Arcadia Publishing.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Michael Smith and Michael Smith|AUTHOR. 1905. Mardi Gras Indians. Arcadia Publishing.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Michael Smith and Michael Smith|AUTHOR. Mardi Gras Indians Arcadia Publishing, 1905.

MLA Citation, 9th Edition (style guide)

Michael Smith, and Michael Smith|AUTHOR. Mardi Gras Indians Arcadia Publishing, 1905.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work IDf4f54016-4135-262e-632c-a17eac30dde4-eng
Full titlemardi gras indians
Authorsmith michael
Grouping Categorybook
Last Update2024-05-14 23:01:27PM
Last Indexed2024-06-08 04:15:26AM

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First LoadedMay 20, 2024
Last UsedJun 8, 2024

Hoopla Extract Information

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    [synopsis] => One of the most dazzling elements of the Mardi Gras celebrations, the Mardi Gras Indians receive the attention and respect of carnival-goers for their elaborately beaded costumes and entertaining dances. But what few realize about the groups is that the parading is more than just for show. Costuming, dancing, and all of the rituals of these groups are acts of cultural preservation that date back more than a century. In his new book, Michael P. Smith addresses the sociological issues surrounding the mislabeled and rarely understood Maroon groups now known as "Mardi Gras Indians." His textual analysis of the culture examines its African origins and how the participants help to develop the African-American cultural identity. He looks at how some African-Americans resisted efforts to suppress traditions that are re-emerging in modern society. Researched and documented by generations of oral and written history, this work clearly outlines the mistaken identification of the Mardi Gras Indians as just an entertainment element of the carnival season. It also shows the vital role this traditional culture plays in the community, much as the black Spiritual Churches do, in preserving an authentic base for the unique cultural heritage of blacks in New Orleans. This work illustrates how the Mardi Gras Indians are a part of the New Orleans second-line tradition. A dynamic element of this book is the collection of more than one hundred color photos. These prints capture the striking beauty of spectacles with a purpose far greater than entertaining. Combined with authoritative text by Smith, the visual images round out this examination of the roots of the Mardi Gras Indians and current practices of the whole range of African-American cultural societies and parading groups in the Crescent City.
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