The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life
(eBook)

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Published
Lexington Books, 2005.
ISBN
9780739156247
Status
Available Online

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Physical Description
0m 0s
Format
eBook
Language
English

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Citations

APA Citation, 7th Edition (style guide)

Agnes Heller., & Agnes Heller|AUTHOR. (2005). The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life . Lexington Books.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Agnes Heller and Agnes Heller|AUTHOR. 2005. The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life. Lexington Books.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Agnes Heller and Agnes Heller|AUTHOR. The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life Lexington Books, 2005.

MLA Citation, 9th Edition (style guide)

Agnes Heller, and Agnes Heller|AUTHOR. The Immortal Comedy: The Comic Phenomenon in Art, Literature, and Life Lexington Books, 2005.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work IDd62f2a0c-1fbc-46bd-8292-ed9f1f9fd5d1-eng
Full titleimmortal comedy the comic phenomenon in art literature and life
Authorheller agnes
Grouping Categorybook
Last Update2024-06-19 21:04:41PM
Last Indexed2024-06-29 03:26:20AM

Hoopla Extract Information

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    [synopsis] => “Immortal Comedy” is the first book to 'think' philosophically about the comic phenomenon in general. Although author Agnes Heller had written a book that is both deeply scholarly and meditative on the subject of the comic form in film, literature, and life her writing is eminently approachable. In both its subject and style, “Immortal Comedy” is a seminal book. In it, Heller takes us on a journey through theories of comedy beginning with classical thought. She then detours through foundational political thinkers who refer to, for instance, laughter and power. We are also introduced to modern systematic approaches to thinking comedy, psychological approaches, and existential approaches. The discerning combination of Heller's individual taste for the pantheon of comedic work and, also, what critics may consider 'less significant' work gives this book a character apart from all others. It is the detail with which Heller makes her discussion, how and where she locates 'the comic,' and probably most significantly her discussion of comedy and our own lives that makes Immortal Comedy a principal book for the entire range of humanities scholars and enthusiasts.
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